In the winter when it drizzles

I hate Paris in the springtime

I hate Paris in the fall 

I hate Paris in the summer when it sizzles

I hate Paris in the winter when it drizzles 

I hate Paris 

Oh why, oh why do I hate Paris?
Because my love is there... 

With his slut girlfriend!

This delightful little ditty is the take-off mantra of our heroine, Kate, in the movie French Kiss, a film about a woman who travels to Paris and eventually to the Côte d'Azur to chase after her fiancé who has left her for another (French) woman. She is accompanied by Kevin Kline's character, a Frenchman named Luc who, though slightly shady, wants nothing more than to own his own vineyard and produce his own wine. They, of course, fall in love and live happily ever after in the south of France, kissing out in the vineyards and cultivating wine.

And this is the song that I think of every time I think of Paris.

It's ironic, though, because I really do like Paris. I remembering being simultaneously over- and underwhelmed by Paris when I was there last August, but my Christmas vacation changed my opinion of the city. It is still sprawling and touristy and full of its fair share of snobs, but there is something downright magical about Paris when it snows.

As well as something sorta whimsical

I arrived mid-morning on the 23rd of December, and with its cold temperature and grey skies, Paris was a little less than welcoming. I had grown accustomed to traveling under mediocre conditions, however, so I dragged my duffel bag to my hostel (just a few short minutes from the Place de la République), checked in (only to be told that rooms were closed until 4pm for cleaning), and then embarked on my whirlwind Christmas vacation.

I was planning on seeing a French musical that evening, so I had a fair amount of time to kill before I needed to find the Palais des Sports, where the spectacle was taking place. I decided to start with a walk along the Champs Elysées. Friends had told me that it was well worth the trip for the lights and decorations alone, not to mention the Christmas market, which was sure to put Aix's market to shame. A short metro ride later, I emerged at the Place de la Concorde, which is at the far southeastern end of the Champs. The sky was an even darker color than when I had arrived only a couple hours before and seemed to threaten a terrible snowstorm. As it was, it was only lightly snowing, enough to coat my jacket in a fine layer of snowflakes, but not enough for it to really stick on the ground, and that was enough for me to appreciate.

The path down the street was fascinating. I happened to walk behind a group of about three American families who were traveling together, and amused myself by eavesdropping on their conversation only to finally speak up when I heard that they were from just outside of Boston. They were very pleasant and wished me a Merry Christmas before we parted ways and continued our separate Christmas excursions. It rather shocked me to see how many tourists were in Paris for Christmas. For me, the remainder of my Parisian romanticism was what had drawn me to this location for the holidays, but I couldn't believe that that same notion had enticed everyone around me to flock to the city of lights at the same time.

For one thing, winter is hardly the best time to see Paris. The trees are dead, the skies are dreary, and the streets are treacherously icy. I first noticed this as I was walking along the Christmas market and happened to stray a little off the concrete and onto the sandy portion of the sidewalk, where the snow had turned the sand almost muddy and the cold had solidified the slush (half-melted from the shoes of so many passers-by) into an icy block that caused me to nearly lose my footing. Luckily, that was also starting to melt thanks to the heavy foot traffic, but I knew that this could not bode well for the rest of the journey.

Eventually, I made it past the Christmas market and to the boutiques and "magasins" that were richly decorated for the holidays.

Sephora was perhaps not the most impressive, but its colorful display was certainly among the more festive 

I ducked inside a few stores to escape the snow and do a little window shopping, but soon my body grew tired of the constant freezing and thawing of limbs as I went from heated store to chilly exterior and back again, so I knew it was probably a good time to find a nice restaurant and relax a little for lunch. I chose a moderately priced Italian place on the Champs and ordered some wine and some hearty pasta to warm me up. I sat in a corner on the second floor of the restaurant, which was extraordinarily busy, while sipping my wine and watching the shoppers come and go down below. It was a very calming meal and the perfect thing to energize me for the rest of the day.

After lunch and a brief consultation of the list I had created of things to see and do, I decided it was time to go Christmas shopping. I had previously picked up some gifts for my family in various other locations in France, but I had not yet managed to find something for my dad, who I feel is always the hardest person to shop for because he usually buys all his own gifts and I am never sure if he already has something or not. This time, however, I was well-prepared: I had consulted my father on possible gift ideas and he had given me one specific guideline. I was to go to the Shakespeare and Company bookstore and purchase a book for him.

Shakespeare and Co has a special place in the hearts of the Oliver family. When my dad was younger, it was one of the places he visited during his travels in Europe. He purchased a copy of Zen and the Art of Motorcycle Maintenance and even met the owner of the establishment, George Whitman, who habitually offered weary travelers he deemed worthy a place to rest for the night up above the bookstore. Whitman's daughter Sylvia now runs the store, and was unfortunately nowhere to be found when I visited, but the literary ambiance, I imagine, has stayed the same ever since my dad first visited in the early 1970s. My first visit to the store came during my initial three weeks in Paris, and came as a bit of a surprise. I had known that it was an English-language bookstore, but I had not imagined it as a sort of haven for Anglophones from around the world. I was actually shocked by the lack of French I heard on the premises. After wandering through the store for about 40 minutes, wondering at the sheer number of books squeezed into the tiny shop, I finally stumbled upon the travel section as well as the Lost Generation section. Feeling rather touristy, I did what I had been dying to do since I had applied for admission to the Wellesley-in-Aix program and purchased an inexpensive copy of A Moveable Feast, my favorite work by Ernest Hemingway.

It was this memoir that made the Shakespeare and Company bookstore famous to the literary world. Originally run by Sylvia Beach and located on rue de l'Odéon, the store became a center for literary culture and a frequent haunt of the writers of the Lost Generation, notably Hemingway, James Joyce, and Ezra Pound. The store closed in 1941 due to the German occupation of Paris and never reopened. After Beach's death in 1962, the bookstore owned by George Whitman on the Left Bank of the Seine changed its name from Le Mistral (likely referring to the strong wind that blows through Provence or the poet Frédéric Mistral) to Shakespeare and Co to honor the original store and its owner. Today, it even looks vaguely as the original store once did and is full of delightful nooks and crannies for its visitors to discover. And it has always remained a sort of mythical place to my family, despite the fact that it is not the original establishment.

My second visit to this store came during this vacation, and as mentioned before, I was a lady with a mission. I had to find something that my dad would appreciate that didn't cost too much and that would be unique enough that it would be clear that I had spent some time ruminating over my many options. At first, I considered a work of fiction, feeling that that would provide the most interesting search, but after nearly 45 minutes of staring at shelf after shelf, I felt even more clueless than I had before and decided that I should look amongst the new arrivals for something more unique. Finally, I found it! The perfect book: The Grand Design by Stephen Hawking and Leonard Mlodinow. Eight years previously, my dad had, through a roundabout sort of way, ensured that I received a copy of A Brief History of Time, and that I actually read it as well. Keep in mind that I was 12 at the time, and that quantum mechanics was really only something I had heard about in the movies. Thus, the purchase of Hawking's latest work seemed to me to come full circle, as it were, in multiple situations. My dad loved the book.

Not long after that adventure, it was finally approaching "l'heure" to head out to the Palais des Sports to see Mozart l'Opéra Rock. My former roommate Nicole and I had discovered this musical last spring via 24-Hour Drop, a file drop on the Wellesley server, and had been obsessed ever since. I had been dying to go see it ever since I had heard that it would be returning to Paris and had even bought my ticket before I even knew that I wanted to spend Christmas in Paris. The musical did not fail my expectations. It even cleared up some of the questions I had about some of the song lyrics by, obviously, giving context to the songs, and then went on to further boost my confidence in the French language once I realized that I was having hardly any difficulties understanding what was being said... or sung for that matter. All in all, it was well worth the 80 or 90 euros I spent on sixth row seats, especially since photography sans flash was allowed.

Results?

Awwww yeeaaahhhhh

Salieri, y u so sexy?

It was a thoroughly enjoyable play. It wasn't Art in the grand sense of the word and may or may not stand the test of time, but it was glitzy and glamorous and loud and fun. And that was all that I could really ask for. Surprisingly, it is also considered to be children-friendly. There were many, many people under the age of 16 in the crowd, and they were clearly enjoying the show. A fair number even knew the words to the songs.

My next day in Paris was spent mostly in the Louvre. But before I managed to spend seven hours staring at Renaissance paintings, I spent the early part of the morning walking past Notre Dame and along the Right Bank of the Seine, past l'Hôtel de Ville and a few blocks further to the broad side of the Louvre, which stretches on for quite a while, but doesn't seem to be nearly as long when one is inside.

Notre Dame got in the spirit of things with a pretty, giant tree to decorate the square

This statue, off to the right of the cathedral, was covered in the freshly fallen snow and looked even more  majestic than usual.

The Hôtel de Ville looked particularly impressive with the snow-dusted roofs and the  ice skating  rink out in front. This was also the first time I had ever seen Paris's city hall, and was not disappointed by a lack of grandeur - quite the opposite.

Eventually, though, I made it to the Louvre, about an hour after its opening, and navigated through the halls with richly decorated ceilings, briefly stopping to say hello to Nike of Samothrace, so that I could immerse myself in Renaissance art and thus study for my impending art history exam back in Aix. I wandered the halls of the great museum, staring at masterpieces of the 15th and 16th centuries, analyzing the religious symbols and searching for some hidden meaning in the carefully applied oil and gold leaf. It was tiring, to say the least. Not to mention that I started to feel as though the paintings were trying to convert me. So much religious iconography, so little time.

Eventually, I took a break from the never-ending rooms of Italian painting and went to grab a bite to eat in the food court down below the Louvre. The food was some sort of pseudo-Middle Eastern cuisine that can be found at any food court in America these days, really, and was only slightly better than average for fast, cheap French food, but that said, I devoured my dish and gulped down the accompanying soda as though they constituted my first meal in a week. I also partook of the free Wi-Fi I found while messing around with my iPod. The McDonald's was too far away to get a good signal, but the Apple store, which by my estimations should have been further away than the McDonald's, was broadcasting a lovely signal that allowed me to check my email and inform my friends of my current location in a subterranean multicultural food court underneath one of the world's greatest museums.

Lunch devoured and stomach satisfied, I returned to my painting perusal and came to the sudden and profound conclusion that late Medieval and early Renaissance artists were incapable of painting anything other than an ugly version of baby Jesus.

Baby Jesus should not look like a 35-year-old midget with a receding hairline who is creeping on Virgin Mary, who, it should be noted, appears to have no chin and an impossibly round cranium.

Nor should baby Jesus look like a Japanese representation of a European man with far too many jelly rolls. For someone as pretty and trim as Mary is in this picture, she ought to know how keep her child from obesity.

I fully understand the concept of spiritual beauty in lieu of physical beauty. In fact, I think it can be very powerful when used properly in art. Case in point: Donatello's statue of Mary Magdalene.

She is emaciated, her clothing is in tatters... there is nothing remarkable or beautiful about her physical appearance. And yet, the fact that she seems to be about to pray and is thus demonstrating her devout faith reveals a sort of inner spiritual beauty that makes the statue more powerful than if she were the Greek ideal of beauty. That is something that I can get behind. I don't really understand where all the ugly baby Jesuses are coming from... most people think that babies are adorable (it depends on the day of the week, for me). Perhaps this was the ideal for the period, though, and perhaps I shouldn't be quick to judge.


The Louvre essentially went on to consume the majority of my day. The one other major destination of my day consisted of a trip to Café Divan near the Place de la Bastille. This particular destination came at the recommendation of a friend, who insisted that I just HAD to try to their hot chocolate. Never one to say no to warm, sugary treats, I decided that hot chocolate was the very thing I needed as I relaxed from a long day of being on my feet. I lost my way at first, which I fully blame on the fact that there are far too many streets leading away from the Place de la Bastille, and finally resorted to using my handy dandy map of Parisian arrondissements to navigate the streets of the city. Eventually, I stumbled into the place looking like the lost tourist that I vaguely was and ordered a hot chocolate.


I did not expect what I received. I received a jar of hot milk and warm chocolate syrup that I was to mix on my own to achieve the desired proportions of each. Needless to say, my hot beverage was rich and thoroughly warming and made the perfect companion as I perused through a couple chapters of A Year in Provence by Peter Mayle, the book I had chosen to read during travel down time which is a necessary read for any Anglophone who has lived in Provence for any significant amount of time.


And so, that was the first half of my vacation in Paris. Unfortunately, my final and last exam of my entire year abroad is waiting to be studied for, so I must away. Merde!


More Parisian tales shall come soon, but for now...


Peace, love, and Saturday morning exams,
Rachel

It's About Damn Time: Old Ruins, New Sights

Part 2 of 2 concerning Provençal cities, towns, and villages... Let's get the ball rolling in not-quite-alphabetical order.

Avignon

For "les vacanes de Toussaint" (the vacation surrounding All Saint's Day in France), I decided that I would return to a small city along the Rhône called Arles to visit all of the tourist spots I did not have the chance to see the first time around. I knew that there were buses that went there, but I had no idea which buses they were, so I conducted a little research and came to the conclusion that the best way (read: cheapest) to get to Arles via bus was to go up to Avignon first and then catch a bus down and over to Arles -- a little out of the way, sure, but it was not so out of the way as to completely inconvenience the traveler. (I later found out that there is a direct bus from Aix to Arles, but, alas, I learned this vital piece of information too late.)

This was really not a problem for me. I was delighted to have the opportunity to see another Provençal city and get a little more history out of the trip than I had originally planned.

Enter Avignon.

Literally a row of restaurants on the Place de l'Horloge

Yet another small town in the south of France that has been around forever, Avignon is particularly well-known for its Palais des Papes, which is by no means a misnomer. During the 14th century, a series of popes took up residence in Avignon, wishing to avoid the violence and political instability in Rome, and as such, were drawn further and further under the influence of the French crown. Which, you know, makes sense considering that all seven popes who lived in Avignon were, uh... French.

So, Clement V took up residence in Avignon in 1309, and since Avignon was clearly not the religious center that Rome was (is, if we're including the Vatican City in Rome), they didn't have a papal palace yet, meaning that Clement V was humble enough to pass the time in a Dominican monastery. His successor, however, began reconstructing a nearby bishop's palace by turning it into something that really makes one question the whole "vow of poverty" thing that members of the clergy live by.

It's not mine; I just live here and reap the glorious benefits

A hefty portion of the papal funds, which I am pretty certain could have been used for more productive things than building a palace (unless they are building it to glorify God - then I suppose we can't really fault them because that would be something like finding fault in or dishonoring God, and that's a no-no), went to building this gargantuan house under Popes Benedict XII, Clément VI, Innocent VI, and Urban V. Clément VI and Innocent VI contributed significantly to the expansion of the palace while Urban V pretty much put the finishing touches on the whole building. Finishing touches such as ceramic floor tiles, fantastic frescoes that adorned the walls and ceilings, and basically lots and lots of color. During the papal occupation, this place would have been more colorful than a rainbow on acid. Unfortunately, all that is left of that magnificent color today are a few tiles and faded, crumbling frescoes and painted walls.

Basically, this place was pretty darn impressive (nothing to Saint Peter's in Rome, I'm sure, but still - not bad) with its grand dining halls and large stained glass windows and Gothic ribbed vaults.

The second place of interest is not far from the papal palace and is nowhere near as magnificent, and yet somehow still as spectacular. It is a bridge: the Pont Saint-Bénezet. This medieval bridge once spanned the Rhône, connecting the city to Villeneuve-lès-Avignon, but suffered from what can essentially be boiled down to bad construction and collapsed several times over the following centuries. It was rebuilt and rebuilt until finally they decided to stop preventing what fate had clearly been telling them for years was meant to be in 1668 when the bridge was virtually washed away by a flood. Today, the vestiges of this once-jinxed bridge are a major tourist destination for people in Avignon, and it's no wonder why. Just look at the views you can get from the bridge:

I wonder if people in the Middle Ages ever stopped to appreciate this same view? Well, minus the sidewalk...

I wonder if the Avignon popes ever admired the view from here? Well, minus the cars...

The bridge itself is pretty cool as well since it just ends in the middle of the river, leaving the uninformed tourist more than just a little curious as to the history behind the ruins.

See that patch of trees just beyond the bridge? That is where the rest of the bridge SHOULD be.

The rest of Avignon didn't strike me as much more than a typical, small French city. That said, I was there for less than a day, so I really wasn't able to take much of the city in, and I enjoyed what I was able to see... but at the end of the day, I was looking forward to reaching my final destination of Arles.

Arles


For someone such as me who loves classical civilizations, Arles is a must-see city. While it is small enough that it can be walked in less than a day and completely exhausted of its treasures in two to three days, it has enough charm and history attached to it to make it worth any weekend getaway, especially when one is in the mood for a small French town.

I first visited Arles as part of an international student tour group and spent a grand total of two, maybe three hours there before being carted off to my next destination. And so I had had it in my mind to make a trip up to Arles at some point during my travels within France. The Toussaint vacation seemed to be the perfect time, so off I went to discover the ancient Roman ruins and the old haunts of everyone's favorite ear-cutting Impressionist.

Like many French cities that have any history at all (read: all of them, duh), Arles is a strange mix of styles and centuries. You can walk along the Rhône and run across the ancient Roman baths built by Constantine, who was a huge fan of the Roman colony, which as far as I can tell went by the name of Arlate back in the day. Then, you can turn to your left and see some nifty modern graffiti on the side of a low wall hiding a dumpster. Walk a little further down and you can spot a ruined wall left over from what might have been an attack during a world war. And let us not forget Les Alyscamps across town, comprised of an ancient Roman necropolis and a medieval Christian church.

Exterior shot of the Thermes de Constantin

Interior shot

"Insure yourself against chance. One look comes so quickly."

The black and white was too irresistible of an option to pass up for this shot.

I have a thing for empty sepulchers and abandoned churches

Arles is a haven for history buffs. Its streets and far corners are laden with centuries upon centuries of rich European history and it is impossible to navigate the narrow streets without chancing upon yet another story pertaining to Arles's 2800 or so years of existence.

My favorite sites, though, focused on the Roman vestiges and the scenic reminders of Van Gogh's beautifully colored French village. The antiquities museum on the outskirts of "centre ville" is well worth the trip for an in-depth look at the development of the city, with plenty of artifacts to sate one's appetite for Roman sculpture, Early Christian iconography, and pottery galore. While I was there, it just so happened that special exhibition centered around an archeological dig done at the bottom of the Rhône not far from Arles. The city had been a major mercantile mecca for people from all over Europe, and as a result, researchers found remains of various types of amphorae and other types of pottery whose names are escaping me at the moment from countries all over the Mediterranean. Since I vaguely understand the importance of such archeological treasures, I had fun comparing the minute differences (and the glaringly obvious ones, as well) between amphorae from select countries and even across continents.

I was even able to study for a midterm while at this museum. My medieval archeology class from last semester focused on Late Antiquity and the early Middle Ages, which is when France was subjected to a widespread Christianization of cities and rural areas. Sarcophagi dating from this period are the perfect visual aides for understanding early Christian iconography and the general transition to a monotheistic society.

And then, the ancient theater and arena. Which are best discussed in picture form.

See those columns? Now imagine that the set was twice as high. Oh, yeah. Theater geek's wet dream. Or nightmare.

It's almost like a graveyard. Which pleases my inner creepiness.

This colosseum is still used today

View of Arles from the top of the tower

Oh, and let's not forget our dearly beloved friend Van Gogh!!!!

L'Espace Van Gogh: the hospital where Van Gogh once lived

I made friends with the waiter my first day in Arles. He invited me back to the restaurant the next day, so I returned with the friends I had met in my hostel. Hope he appreciated the business.